Photo Armen Elliott
Event Times:Aug 25th 2018 @ 8:00pm
Free | Limited seating available; reservations recommended
The International Contemporary Ensemble (ICE) presents a free preview performance of In Plain Air, a program of original compositions by Phyllis Chen and Nathan Davis to inaugurate Christ Church’s custom 3,000-pipe organ. An evening informed by, but away from, the organ—the performance will be in the Neighborhood House theater—featured work includes compositions inspired by the bells in Christ Church’s iconic tower and the experience of watching C.B. Fisk organ builders assemble and voice the instrument during the composers’ fifteen-month residency.
Learn from Chen and Davis about the process of exploring the sound-making possibilities of the church’s organ, bells, and open spaces. Experience a chorus of pipe whistles, custom instruments based on the wood pipes in church’s organ. And hear the Christ Church bells as you never have: played by hand with the sound captured inside the tower.
Presented in partnership with FringeArts as part of the 2018 Fringe Festival, premiere performances of In Plain Air will be on September 22 and 23.
- Nathan Davis - Cipher | for baritone saxophone and electronics
- Phyllis Chen - When Breath Becomes Air | for organ whistle ensemble, from In Plain Air
- Nathan Davis - Inside Voice | for ensemble and electronics, from In Plain Air
- Additional works to be curated by Phyllis Chen, Nathan Davis, Ryan Muncy, and the artists of International Contemporary Ensemble
About the Artists
Nathan Davis "writes music that deals deftly and poetically with timbre and sonority" (NY Times). His opera/ballet "Hagoromo" premiered at the BAM Next Wave Festival produced by American Opera Projects, and Lincoln Center inaugurated its Tully Scope Festival with the premiere of “Bells,” a site-specific, electroacoustic piece for ensemble, multi-channel audio, and live broadcast to audience members’ mobile phones. Davis has received commissions from ICE and its members, Donaueschinger Musiktage, Steven Schick, Miller Theatre, Ojai Music Festival, the Calder Quartet, Third Coast Percussion, and Yarn/Wire, with premieres at Tanglewood, Park Avenue Armory, and Carnegie Hall.
The 2018 Aaron Copland Fellow at the Bogliasco Foundation, Davis has received awards/fellowships from the Camargo Foundation, Meet The Composer, Fromm Music Foundation, Jerome Foundation, American Music Center, MATA, and ASCAP. He and Phyllis Chen won an NY Innovative Theater Award for their score to Sylvia Milo's play The Other Mozart. After serving on the faculty of Dartmouth College for eight years, Davis teaches composition and electronic music at Montclair State University. An active percussionist, he performs with ICE; appeared as a concerto soloist with the Seattle Symphony, Tokyo Symphony, and Nagoya Philharmonic; and has toured Russia, Bali, Turkey, and Cuba.
The International Contemporary Ensemble (ICE) is an artist collective that is transforming the way music is created and experienced. As performer, curator, and educator, ICE explores how new music intersects with communities across the world. The ensemble’s 35 members are featured as soloists, chamber musicians, commissioners, and collaborators with the foremost musical artists of our time.
A recipient of the American Music Center’s Trailblazer Award and the Chamber Music America/ASCAP Award for Adventurous Programming, ICE was also named the 2014 Musical America Ensemble of the Year. The group currently serves as artists in residence at Lincoln Center for the Performing Arts’ Mostly Mozart Festival, and previously led a five-year residency at the Museum of Contemporary Art Chicago.
New initiatives include OpenICE, made possible with lead funding from The Andrew W. Mellon Foundation, which offers free concerts and related programming wherever ICE performs, and enables a working process with composers to unfold in public settings. DigitICE, a free online library of over 350 streaming videos, catalogues the ensemble’s performances. ICE's First Page program is a commissioning consortium that fosters close collaborations between performers, composers, and listeners as new music is developed. EntICE, a side-by-side education program, places ICE musicians within youth orchestras as they premiere new commissioned works together.
Support for In Plain Air and OpenICE
Major support for In Plain Air has been provided by The Pew Center for Arts & Heritage, with additional support from Dolfinger-McMahon Foundation and Arthur Judson Foundation.
OpenICE is made possible by the generous support of The Andrew W. Mellon Foundation, Howard Gilman Foundation, Booth Ferris Foundation, National Endowment for the Arts, A.N. and Pearl G. Barnett Family Foundation, Fan Fox and Leslie R. Samuels Foundation, Paul M. Angell Family Foundation, Aaron Copland Fund for Music, Mid-Atlantic Arts Foundation, Francis Goelet Charitable Lead Trusts, Amphion Foundation, Pacific Harmony Foundation, Ann and Gordon Getty Foundation, Alice M. Ditson Fund of Columbia University, Casement Fund, BMI Foundation, as well as public funds from the New York City Department of Cultural Affairs in partnership with the City Council, the New York State Council for the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and the Illinois Arts Council, a state agency. Yamaha Artist Services New York is the exclusive piano provider for ICE.